Carl Sagan’s “Cosmos”
I am currently watching Carl Sagan’s “Cosmos” on Netflix. I recall seeing bits and pieces of this throughout the 1980’s on PBS, but I was basically too young to follow it in great detail (I am only 38). It is a journey through intellectual history, with an emphasis on Astronomy and Physics, with a little Philosophy thrown in for good measure. I think that it is, overall, a very good series.
Episode 7, “The Backbone of Night” was an especially interesting episode since it seems to present a slightly different interpretation from how I have heard most Objectivists interpret the history of Ancient Greece, which tends to focus on Aristotle. Sagan agrees that the Ancient Greeks, especially the Ionians, were the birthplace of the scientific method of observation and experimentation. But, he goes on to say that there was another strand of thought running through Ancient Greece centered in Pythagoras, which deemphasized experimentation and observation in favor of “deduction”. (I think Sagan even used the word “deduction” to describe the Pythagoreans.) This ultimately led to a mystical world-view (or was based in a mystical world-view), which was expressed in the ideas of Plato. Interestingly, he even says that this Pythagorean worldview took reason out of the hands of the Ionian merchants and artisans –practical men concerned with ideas- and put it into the hands of the elite slaveholders, which was more consonant with the ownership of slaves. This was because the Pythagorean system emphasized the mind over the body, and “the body” was associated with the physical labor of the elite’s slaves. (I assume because the slaves would be viewed as less than fully rational manual laborers who merely used their bodies.)
Sagan then goes on to say that Plato’s ideas were basically adopted into Christianity. (Sagan hasn’t come out and said he’s an atheist, but he all but says so at various points in the series.) Sagan then essentially says that the early flowering of “expermentalism” in Ionia was suppressed by the Pythagoreans and later Plato, and that Aristotle was essentially no better than Plato. It wasn’t until the Enlightenment that the “Ionian world view” was rediscovered, or so says Sagan. What I found interesting is how much he deemphasized the philosophy of Aristotle in the episode be implying that it was just a sort of outgrowth of Plato. Possibly this is due to the fact that the Catholic Church adopted Aristotle after the Renaissance, along with the Aristotelian notion that the Earth was the center of the universe, although, in fairness, the notion that the Earth was the center of the universe predates Aristotle. This might lead most to believe that Aristotle is to blame for the troubles of Galileo, Copernicus, and various other natural philosophers near the Enlightenment era.
My understanding is that while Aristotle was a student of Plato, he was much more interested in experimentation and observation given his belief that the essences that form the basis of mental concepts exist in each concrete thing, rather than in some other realm. I am no expert in classical philosophy, but this is my general understanding. At any rate, the “Cosmos” series is extremely interesting, and I recommend that you watch it if you haven’t ever seen it.
A Note on “Christianity: Good of Bad for Mankind” February 2013 Debate at The University of Texas
Legal Paternalism
The “Assault Weapon” Ban
“…no reason civilians need to own assault weapons and high-capacity magazines…” http://abcnews.go.com/US/wireStory/us-judge-bring-back-federal-assault-weapons-ban-18040037#.UNc95onjk1c
1) The “assault weapons” ban basically banned certain cosmetic features on some semi-automatic firearms (guns that fire one bullet for every pull of the trigger), that had nothing to do with the function of the weapon.
2) The only major change in the functionality of semi-automatic weapons that the assault weapons ban affected was the limitation of the magazine to 10 rounds. Does anyone really think that limiting magazine capacity to 10 rounds will stop someone from going on a shooting spree?
3) The only way such a magazine capacity limitation might affect a shooting spree is to require the shooter to carry multiple guns or multiple magazines. Is Diane Feinstein seriously saying that her “solution” is for civilians at the scene of a shooting spree to tackle a gunman while he is reloading his 10-round magazine? If civilians are going to be asked by Diane Feinstein to take personal responsibility for their own self-defense (a worthy goal), then why does she want to make it more difficult for civilians to own guns?
4) High capacity magazines do have a civilian use: In the Los Angeles riots in the early 1990’s, civilian business owners used AK-47’s and other semi-automatic firearms to defend themselves and their property from large numbers of rioters who wanted to harm them and destroy their life’s work. These civilian business owners were abandoned by the police and the local authorities, and they took personal responsibility for their own lives and the security of their community.
Free Trade In Liquified Natural Gas Benefits the Creators
Teacher Convicted of Consensual Sex with 18-year-olds
Hopefully this case will now be appealed. I believe this statute violates the right to privacy of teachers who have consensual sexual intercourse with persons who are over the age of consent. Something that should be considered by her attorney is the fact that the statute makes it an affirmative defense if the teacher is married to the student. In other words, the State of Texas is saying it’s a crime only because the two people involved were unmarried.
Why I prefer a free society
A free society leaves the individual free to create the values necessary for his life. It respects private property rights, and thereby ensures that one can earn and keep the material means necessary for living. It respects freedom of speech in order to ensure that one can disseminate and gain the knowledge necessary for producing the values, both spiritual and material, necessary for living. History demonstrates that people who live under dictatorship and totalitarianism are less prosperous. Freedom includes the right to protect oneself from criminals, foreign and domestic, who would deprive us of our life or liberty. Freedom therefore entails the right to own the means of protecting oneself from criminals when the police are unavailable. That freedom typically takes the form of gun ownership. Can people misuse their freedom? Yes. Would restrictions on the freedom to own small arms stop some criminals? Possibly, although the statistics seem to suggest such restrictions just disarm the law-abiding. Press censorship might also prevent “copycat crimes”, and arbitrary searches and seizures by police might uncover some criminal activity. But, crime is always a small component of any free society, and the probabilities of becoming the victim of a felony are minimal. The certain result of restrictions on freedom is to prevent good people from being able to take the actions necessary for living –whether that action takes the form of starting a new business, writing a novel, or defending oneself from a murderer. Restrictions on freedom mean restrictions on life itself.
The Movie “Agora”
Agora makes some fairly easy observations about the nature of faith and how it necessarily leads to force, and usually outright violence, but that is not what I want to focus on here. I think that an even greater truth is revealed by this great movie. It is an exploration of the nature of evil men, and how they survive and thrive with the assistance of good people. Just so that the reader is clear, when I say “good”, I mean that the ultimate standard of the good is man’s life. That which promotes his life is good. Furthermore, all things created by men should be judged by this standard, if living is one’s goal. An automobile is good if it serves the purpose of transportation of human beings in the most efficient manner possible. A house is good if it serves the purpose of habitation. A philosophy is good if it serves the purpose of guiding human beings in living their lives. Similarly, all men should be judged by this standard. A man is good if he strives to produce the values necessary for living. (For more detail about life as the ultimate standard of value, consult the works of Ayn Rand.)
The movie is set near the end of the Roman Empire. Christianity is on the cusp of becoming the dominant philosophy of the time, and society and government is disintegrating. In Alexandria, the pagans and a few Christians still continue to study the works of the Ancient Greek philosophers and scientists. Hypatia is a female natural philosopher teaching the ideas of Ptolemy: that the Earth is the center of the universe, and that the Sun and the Planets revolve around the Earth in complicated epicycles. (This notion was later enshrined by the Catholic Church and it wasn’t seriously challenged until the 1500’s.) At the beginning of the movie, Hypatia is a believer in the Ptolemeic system, but, throughout the movie, she begins to doubt this system of planetary motion, and even conducts scientific experiments to test some of the objections that are raised against the modern, heliocentric view of the solar system.
There are two major plot threads running through the movie, and Hypatia’s struggles to understand the nature of our solar system is one of them. In and of itself, this plot thread would have made an excellent movie. The author of the script goes even deeper than this, however, by skillfully interweaving another thread into the plot. This second thread involves the struggle between the remaining secular elements in Ancient Alexandrian society, and an increasingly dominant, and emboldened religious group. The secularists are represented by Hypatia, the natural philosopher, and her student and suitor, Orestes. At the beginning of the movie, Orestes is still her student, and he rather casually notes that the planetary system proposed by Ptolomy seems rather silly. It is this initial criticism of Ptolomy by Orestes that plants the seed of doubt in Hypatia’s mind, and leads her to begin rethinking the entire system of planetary motion.
The men of pure faith are represented in the movie by two characters: Ammonius, who is a classic “rabble rouser” and street thug, prone to acts of violence, and Cyril, the Bishop of Alexandria, who is motivated by power-lust. However, the movie makes it clear that by themselves, Ammonius and Cyril would not have been able to unleash the death and destruction that they bring. Better men like Orestes choose to compromise with them out of political and social expediency over the years, and thereby lend them an aura of social and political respectability, which eventually results in the best person being held in subjugation by the worst people, with the worst possible result.
Since it is historical fiction set prior to the fall of the Roman Empire, and the advent of one of the darkest periods in human history, one should not expect a happy ending in Agora. But, bad things happen to good people in (good) fiction for a reason, and it is very important that the reasons in Agora be understood by all of us.
Atlas Shrugged Movie, Part I (With some plot spoilers)
I think that I read that Ayn Rand simply wanted to use an “Atlas Shrugged” movie as a vehicle to advertise the novel. In other words, I think that her standard for a successful Atlas Shrugged movie was whether it would encourage people to read the novel –people who otherwise might not be aware of Atlas. I am probably not the best person to ask about whether the movie version has achieved that purpose, as I am so blatantly “partisan” when it comes to Ayn Rand and her philosophy. I am so devotedly in the “Ayn Rand camp”, that I cannot easily tell whether someone who is not already a fan will see the movie and get anything out of it -other than some of the more superficial political themes of “capitalism good, government regulations bad”- much less, go out and read the novel. I hope that someone is tracking sales of Ayn Rand’s novel, and that they will publish some sort of report or paper showing whether sales of the novel increased after the movie came out today. This would seem to be the best indicator of whether the movie is successful, by the definition described above.
With that said, I have to say, as a fan, I enjoyed the movie. I deliberately kept my expectations low. I knew it had a low budget, and that the actors and directors were relatively new to movies. I am no expert when it comes to directing or acting, I mostly look for good plot, theme and characters in a movie, but I thought that the actors and director were quite successful in making me forget that I was watching a movie, and at mentally “putting me in the moment”. I actually think that using unknown actors was better than using “big name” actors could have eclipsed the movie itself in viewer’s minds.
As a fan, I enjoyed seeing how the creators of the film chose to portray the movie, how close its plotline was to the novel, and what the actors looked like for each of the characters. As far as the look of the actors went, I thought they did a pretty good job. (Keep in mind as I write all of this, that I haven’t read Atlas Shrugged in a number of years, so I may be remembering things in the novel wrong.) I liked how the actress, Taylor Schilling, played Dagny Taggart. I think that she seemed to “get” Dagny’s character pretty well. (Or, at least, the way she saw Dagny was close to how I saw Dagny.) She mostly portrayed Dagny as a woman successfully working in a “man’s world”, but the movie character doesn’t try to pretend like she is a man, and maintains a lady-like poise. I think this is close to the novel version. I also liked how actor Graham Beckel, who played Ellis Wyatt, portrayed that character. As I recall Ellis did not “suffer fools gladly”, and the actor definitely gave you the feeling he wasn’t to be trifled with. But, that said, I always thought Ellis Wyatt was younger, thinner, and better looking –I know that’s somewhat superficial of me, and that’s why I can’t complain too much on that count. (I also would think that Ellis Wyatt would have more of a sort of quiet, “simmering rage” towards the collectivists, and wouldn’t resort to actually yelling, which occurred in the movie at one point.) Just so that it’s clear that I’m not totally superficial, I was glad that they didn’t portray all of the “bad guys” in the movie as physically unattractive. James Taggart was played by an actor who is physically good looking. The actress who played Lillian Reardon is also an attractive person. I think that it is a common mistake, even amongst fans of Ayn Rand, to think that good people are all physically beautiful, and bad people are all physically ugly. Since genetics, not choice, plays a large roll in your body type, especially when you are under about age 40, I regard this as a mistake.
There were a couple of scenes in the movie that I was disappointed with, however. Both of these scenes had to do with Reardon’s relationship with Dagny. Once again, keep in mind that I haven’t read the book in some time, and this is just how I recall the novel. As I recall it, Reardon’s feelings towards Dagny were somewhat in conflict initially –or, at least, he didn’t want to acknowledge how he felt about her. He admits at some point in the novel that he fell in love with her from the moment he saw her, and learned that she was the head of Taggart Transcontinental Railroad. (As I recall it, before he knew who she was, he liked how she looked, but then when he learned she was the business woman he had heard about, he wanted to have sex with her on the rails.) However, since Reardon was married, he couldn’t act on his feelings for Dagny. He regarded his marriage as a contract, and Reardon regarded a contract as a promise that he would never willingly break. This leads to the first scene from the movie that was written weakly, and, I think, quite differently from the novel. In the novel, at a party being thrown by Reardon’s wife Lillian, Dagny loudly confronts Lillian after she publicly makes a joke of the bracelet of Reardon metal that Hank gave her as a gift. As I recall it, Dagny loudly calls Lillian a coward, and all eyes at the party turn to watch the two of them. At that point Dagny trades her diamond necklace for the Reardon metal bracelet. Hank then approaches the two of them, criticizes Dagny for her behavior, kisses his wife’s hand, and proceeds to act as a doting husband for the rest of the night. In other words, Reardon takes his wife’s side in the conflict, even though he is secretly in love with Dagny. He does this because he thinks that he has a moral obligation to his wife as her husband, despite the fact that she does nothing but bring misery and unhappiness to his life. In the movie, when this confrontation occurs, everybody keeps dancing, hardly paying the scene any mind, Dagny doesn’t call Lillian a coward, and Hank doesn’t offer any criticism of Dagny. I think part of the reason for this is that they had written the script in such a way that Dagny and Hank were already developing a clear friendship, with some sexual chemistry. So, it wouldn’t make sense, given how they had written the script, to suddenly have Reardon act that cold towards Dagny. In the novel, I think that up to the point of this party scene, Reardon maintained an outward appearance of cool, formal indifference towards Dagny in order to hide his feelings from her. Taking his wife’s side at the party in the novel therefore makes more sense, because he is still trying to maintain the masquerade that he doesn’t love Dagny.
The second scene that I found to be pretty weak was the sex scene between Dagny and Hank. It was way too gentle. As I recall that scene, Hank is pretty rough with Dagny –after securing her verbal permission for sex. I seem to recall that either that scene or a subsequent post-coitus scene in the novel involved Dagny having bruises or blood on her body after a night of manhandling by Reardon. I viewed the nature of their sexual relationship in the novel in this way: Given the fact that Reardon has given in to his desire for Dagny, he feels a certain amount of resentment towards her and himself because he has broken his marriage contract. He therefore feels a certain desire to treat her like she is “cheap” or “sluttish”, and the rough sex is how he attempts to accomplish this. As I recall, after the first time they have sex, he declares that they are both depraved. (Also as I recall, she retorts that she is even more depraved than him because she doesn’t think she’s depraved.) Regardless of whether my interpretation of his motives are correct, Reardon is pretty rough with Dagny, and the movie didn’t follow the novel at all on that point.
With that said, there was another semi-sexual scene in the movie that I liked very much, and I cannot, for the life of me, remember if that was how it happened in the novel. At one point, Dagny goes to her ex-lover, Francisco d’Anconia, who she now despises, and asks him to loan her money to start the John Galt train line. After she sees he isn’t going to loan her the money for “conventional business reasons”, nor out of charity, she tries to use “feminine wiles”, and implies that she will let him sleep with her if he will give her the money. I don’t remember this scene from the novel, but it seemed very “Ayn Rand-esque” to me. (See Rand’s novel “We The Living” for an example of women sleeping with men they consider to be their enemies to save someone they love.) Obviously, I don’t endorse prostitution as a normal career choice for a woman, but its one-time use by a businesswoman in a movie as a way to save her life’s work from destruction by the government is very compelling fiction to me.